iBEnMusic 432 Hz, The SacredHarmonics:
The three fundamental elements of music are rhythm, melody, and harmony.
The sun, planets and moon stand in the same frequency ratio as the notes on our most harmonic scale. Harmonics beautify music and nature for the beholder.
Music Harmony & Rhythm:
Rhythm is likely the most fundamental aspect of music, because percussion instruments were likely in use long before stringed instruments. Tribal groups dancing to music made only with percussion instruments is an ancient human practice, which reportedly continues today. Rhythm recalls the heartbeat which we first heard in the womb and beats naturally at 72 bpm.
Entrainment is about the tendencies of the universe to share rhythm, to vibrate in harmony. This principle, found in many sciences, of the tendency for two oscillating bodies to lock into phase so that they vibrate in harmony is particularly poignant in music. Through entrainment music has the potential to (1) resonate with the listener’s feelings, (2) transform negativity into positivity, and (3) promote a state of liveliness or serenity. Certain sounds, in specific sequence can help bring the listener from one place to another.
Melody is about the changes and patterns found in the foreground of music
For the music to sound consonant (in tune) the different notes being sounded simultaneously need to be related in a way which is pleasing to the ear. Tuning based on a series of twelve notes in perfect fifths has played an important part in world musical traditions. The difference in frequency between two pitches is an octave, a note and another note with twice its frequency form an octave. Octaves are perceived as a consonance in every musical culture.
Music & 432
432 times 432 = 186624 the classic speed of light is 186400 miles/second, a difference of .001201.
E=mc2 —Einstein’s famous equation of energy and matter – – where E= energy, m = matter, and c = the universal constant speed of light.
The speed of light in 1983 was generally accepted to be 186,291 miles per second in a vacuum so 432 as the square root of the speed of light should only experience the usual suspects as skeptics. This number converted by the pyramid inch is 186,496. ( 186,291 [accepted speed of light in a vacuum per 1983 agreement] x 1.0011)
The distance from the center of the earth to the average height of the atmosphere. This value is given as 4320 arc-minutes, which harmonically can be reduce down to 432 the fundamental vibration for the sixth node in the octave
A line showing the speed of light on a scale model of Earth and the Moon, about 1.2 seconds.
The archaic Egyptian instruments that have been unearthed, so far, are largely tuned to 432 hz. In ancient Greece (the school book original place for music) their instruments were predominantly tuned at 432 hz. Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation (his instruments were tuned at 432 hz).
Pythagorean tuning
Pythagorean tuning is a system of musical tuning in which the frequency relationships of all intervals are based on the ratio 3:2. Its use has been documented as long ago as 3500 B.C. in Babylonian texts[1]. It is the oldest way of tuning the 12-note chromatic scale and, as such, it is the basis for many other methods of tuning
Pythagorean tuning is tuning based only on the perfect consonances, the (perfect) octave, perfect fifth, and perfect fourth. Thus the major third is considered not a third but a ditone, literally “two tones”, and is 81:64 = (9:8)², rather than the independent and harmonic just 5:4, directly below. A whole tone is a secondary interval, being derived from two perfect fifths, (3:2)²/2 = 9:8.
In equal temperament, and most other modern tunings of the chromatic scale, pairs of enharmonic notes such as E flat and D sharp are thought of as being the same note — however, as the above table indicates, in Pythagorean tuning, they theoretically have different ratios, and are at a different frequency. This discrepancy, of about 23.5 cents, or one quarter of a semitone, is known as a Pythagorean comma.
Pythagorean comma
In Western music, 12 perfect fifths and seven octaves are treated as the same interval
In music, when ascending from an initial (low) pitch by a cycle of justly tuned perfect fifths (ratio 3:2), leapfrogging twelve times, one eventually reaches a pitch approximately seven whole octaves above the starting pitch. If this pitch is then lowered precisely seven octaves, it will be discovered that the resulting pitch is 23.46 cents (a very small amount) higher than the initial pitch. This microtonal interval
is called a Pythagorean comma, and sometimes called a ditonic comma.
Put more succinctly, twelve perfect fifths are not exactly equal to seven perfect octaves, and the Pythagorean comma is the amount of the discrepancy.
432 vs. 440: the movement to return to “Verdi’s A”
The Schiller Institute in Milan Italy on April 9, 1988 launched a campaign to lower the international standard musical pitch to middle-C=256 cycles per second (A=432 cycles per second), in order to preserve the human voice and to return the performance of Classical music to that of the classical composers’ poetic intentions.
Bach’s 440 hz only touches 8, leaving out an entire section of the complete musical resonance of the universe, which thus remains untouched and unintegrated within the 440 hz music of today
By detuning the note ‘a’ to 432 (harmonic of 54, 108 & 25920 / 60) then the frequency of ‘D’ becomes 144 hz (144000 cycles per second) Using 432hz as frequency allows for all the wavelengths to harmonize easily with each other.
“An original new connection of geometry, astronomy and sacred sites to music theory. The international standard of tuning is 440 Hz = the note “A”. set in stone by J.S. Bach when the correction to 432 is made, the others notes of the entire octave display a multitude of Gematrian ancient sacred numbers that are astoundingly relative to astronomy, sacred geometry, The Bible and other mysterious literary works such as the Bhagavad-gita and exact longitude and latitudes and hundreds of pyramids and other sacred sites.
Reasons to change the standard of tuning from 440 to 432
Harmonically aligns to astronomical time count of Precession of the equinoxes, 432 X 60 = 25920
The original Stradivarius violin was designed to be tuned to 432, it is the most precise instrument ever constructed by humans.
432 is found at countless ancient sacred sites
over 2,000 signatures on a petition to the Italian government to change the standard to 432 due to the registers ripping many opera singers voices in 440
The most important of all is when the correction to 432 is made, the others notes of the entire octave display a multitude of Gematrian ancient sacred numbers that are astoundingly relative to astronomy, sacred geometry, The Bible and other mysterious literary works such as the Bhagavad-gita and exact longitude and latitudes and hundreds of pyramids and other sacred sites.
The Scale Of Time by James Paul Furia
James Furia is much quoted on the internet for his case to make the centering note “A” at 432 cps, rather than the standard pitch 440. He traces the reasons for the harmonic lapse in judgement to defining the basic notes as only 7 instead of 12.
Harmonics & the speed of light
Bruce Cathie has been writing books on anti-gravity and light harmonics for more than 30 years.
He believes that the universe is based on harmonic series such as 72, 144, 432. And 144 (a “C” tone in hertz) is a perfect harmonic of the speed of light, which is 144,000 nautical miles (144,000 minutes of arc per Earth grid second) in the vacuum of space. Each of these harmonics are literally a mirror, or a cascade of mirrors within mirrors, that 8 hz can look into. For example 144 is 18 x 8 hz, and 72 is 9 x 8 hz. The way that light travels in space is thus a 144 decimal harmonic (144:144,000),
“Cathic found that the fundamental harmonic of light in geometric terms has an angular velocity of 144,000 minutes of arc per grid second. The reciprocal harmonic of light or 1/144,000 repeating .69444. This harmonic refers to the negative reciprocal light, which in theory forms the basic building block of the antiuniverse of light or negative reality.”
Heartbeat of the Planet: the Schumann resonance
The Schumann resonance (SR) is a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth’s electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, excited by lightning discharges in the cavity formed by the Earth surface and the ionosphere.
Lightning discharges are considered as the primary natural source of Schumann resonances. Lightning channels behave like a huge antenna which radiates electromagnetic energy as impulsive signals at frequencies below about 100 kHz [15]. These signals are very weak, but the earth-ionosphere waveguide behaves like a resonator at ELF frequencies and amplifies the spectral signals from lightning at the resonance frequencies [15].
In an ideal cavity, the resonant frequency of the n-th mode fn is determined by the Earth radius a and the speed of light c [6].
In physics, resonance is the tendency of a system to oscillate at maximum amplitude at a certain frequency. This frequency is known as the system’s resonance frequency (or resonant frequency). When damping is small, the resonance frequency is approximately equal to the natural frequency of the system, which is the frequency of free vibrations.
Acoustic resonance is the tendency of an acoustic system to absorb more energy when the frequency of its oscillations matches the system’s natural frequency of vibration (its resonance frequency) than it does at other frequencies.
A resonant object will probably have more than one resonance frequency, especially at harmonics of the strongest resonance. It will easily vibrate at those frequencies, and vibrate less strongly at other frequencies. It will “pick out” its resonance frequency from a complex excitation, such as an impulse or a wideband noise excitation. In effect, it is filtering out all frequencies other than its resonance.
Acoustic resonance is an important consideration for instrument builders, as most acoustic instruments use resonators, such as the strings and body of a violin, the length of tube in a flute, and the shape of a drum membrane.
The Base Chakra corresponding to the note C is the 33rd octave of the first Schumann Resonance. Middle C on the musical scale has a frequency of 261.63 Hz. If we divide this frequency by 7.83 Hz. (Schumann Resonance) the result is 33, the 33rd. octave.